Spinal Fire Scientia Est Potentia

When I learned that Madonna – aka the Grand Priestess of the music industry – would be performing at the Superbowl halftime show, I thought: “This should be interesting”. And it was. While most were amazed by a woman in her fifties dancing around with LMFAO and others were annoyed at her lip-syncing, I was interested with something else: the flurry of symbolism flashed to billions of viewers worldwide. While most considered Madonna’s performance as an entertaining interlude to the most important football game of the year, those blessed with symbol-literacy will probably agree with the following statement: Madonna’s halftime show was a big celebration of the Illuminati industry and of its Grand Priestess, Madonna.

A week before the Superbowl, Madonna described on Anderson Cooper the spiritual importance she attributed to her halftime show:

“The Superbowl is kind of like the Holy of Holies in America. I’ll come at halfway of the “church experience” and I’m gonna have to deliver a sermon. It’ll have to be very impactful.”

It is rather appropriate that this Kaballah-intiate referred to the Superbowl as the “Holy of Holies” as it was the name of the most sacred place in Solomon’s Temple. No one was ever permitted to enter the Holy of Holies but the High Priest. This privilege was only granted on the Day of Atonement, to offer the blood of sacrifice and incense before the mercy seat. Madonna’s analogy was therefore telling of the mindset behind her performance. Let’s look at the main parts of her show.

Vogue or Entrance of the Priestess

Madonna entrance is an elaborate procession fit for a High Priestess or even a goddess.

Pushed by hundreds of Roman soldiers and welcomed by hundreds of women, Madonna's glorious entrance is a reflection of her status in the entertainment world.

Her first performance was highly influenced by ancient Egypt-Sumeria-Babylon and Madonna’s costume recalls an ancient Babylonian goddess.

The decor of Madonna's first performance combines elements from ancient Egypt, Sumeria and Babylon. Madonna herself is dressed in a way that highly resembles an Ancient Sumerian/Babylonian goddess, Inanna-Ishtar.

Ishtar with her foot on a roaring lion and wearing a distinctive headdress resembling Madonna's horned crown. Ishtar is often depicted with wings, a feature that is recalled on Madonna's "carriage".

Ishtar was a powerful and assertive goddess whose areas of control and influence included warfare, love, sexuality, prosperity, fertility and prostitution. She sought the same existence as men, enjoying the glory of battle and seeking sexual experiences. Madonna’s portrayal as Ishtar is therefore quite interesting as one can argue that the pop singer has embodied, throughout her career, the same assertive yet highly sexual qualities of Ishtar, even achieving a state of power in the music industry that is usually reserved to men. On an esoteric level, Ishtar is associated with the planet Venus, known as the Morning Star or the Evening Star.

The presence of two Sphinxes in front of Madonna greatly resembles the tarot card The Chariot. According to Manly P. Hall: "This card signifies the Exalted One who rides in the chariot of creation. The sphinxes drawing the chariot resent the secret and unknown power by which the victorious ruler is moved continuously through the various parts of his universe."

So, in this mythologically-charged setting, Madonna performed Vogue. During the performance, covers of Vogue Magazine were displayed, a publication that is at the forefront of Illuminati symbolism in fashion (as seen in the series of articles Symbolic Pics of the Month).

Vogue ends with a symbol that is consistent with the Egyptian-Babylonian theme of the performance, one that is also of highest importance in occult Secret Societies such as Freemasons, the Rosicrucians and the Illuminati: the Winged Sun-Disk.

The song ends with the displaying of a Winged Sun-Disk.

Egyptian mystics used the winged sun for ritualistic magic and invocations:

“‘Emblematic of the element of air, this consists of a circle or solar-type disk enclosed by a pair of wings. In ritual magic it is suspended over the alter in an easterly direction and used when invoking the protection and co-operation of the sylphs.”
-Hope, Murry, “Practical Egyptian Magic”

The winged sun is still being used today by groups like the Freemasons, the Theosophists and the Rosicrucians.

“The Winged Globe is pre-eminently a Rosicrucian symbol, although the Illuminati may lay claim to it, and it may be admitted that it is of Egyptian origin. The Winged Globe is the symbol of the perfected soul making its flight back to the source of its creation in the Elysian fields beyond.”
-Swinburne, Clymer, “The Rosicrucians, Their Teachings”

The symbol of the winged-sun inside a Masonic lodge.

The display of this symbol, although apparently trivial and aesthetic, emphasizes on the occult spiritual dimension underlying Madonna’s entire performance.

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Give Me All Your Luvin’ or Madonna’s Sex Kittens

Later in the show, Madonna performed her new single Give Me All Your Luvin’. The song features two new industry favorites: Nikki Minaj and M.I.A. In the song’s music video and during the Superbowl performance, these two female rappers are portrayed in a specific way:  Instead of being presented as full-fledged artists contributing to Madonna’s song, they are portrayed as her “minions” who are cheering for the industry’s High Priestess. This “relationship” where Madonna is in power – and therefore the handler – is drenched in Mind Control symbolism, specifically Beta Programming, also know Sex Kitten Programming.

In the video for Give me Your Luvin', Madonna, Nikki Minaj and M.I.A. are dressed as Marilyn Monroe, the ultimate prototype of Sex Kitten Programming.

Another symbol associated with Sex Kitten programming is feline prints clothing and textiles. The entire half-time show was an animal-print extravaganza.

Like a Prayer or the Final Sermon

Madonna closed the halftime show with one of her biggest hits: Like a Prayer. The video of this song was always controversial due to its mixing of religious themes with sexuality. As the song starts, the show takes on a very solemn and spiritual vibe as Madonna and Cee-Lo Green enter the stage to give the final sermon. Religious figures are usually dressed in white to represent purity and godliness. The two singers where dressed in black robes and black robes are usually used in…black masses.

As the song begins, a huge eye pupil is displayed before the stage, hinting to the Illuminati-influence of this spiritual performance.

Madonna’s halftime show ends in a dramatic yet very significant matter:

At the end of her performance, the floor opens underneath Madonna's feet and she falls into oblivion.

As Madonna is swept in what appears to be the “Underworld”, Madonna sings “I hear you call my name, And it feels like home”. This is another inversion of conventional religious symbolism as “home” should be in the heavens. In Madonna’s case, she obviously didn’t go in that direction.

The show ends with a message no one can disagree with.

The words "World Peace" appear on the stage, a PR-friendly slogan used by those pushing for a New World Order lead by a one world government.

In Conclusion

When taken individually, the symbols described above can be simply considered as “cool-looking” and most Superbowl viewers did not give them much attention. The packing all of these signs and symbols in one comprehensive 13 minute performance cannot however be dismissed as “random images”. Quite to the contrary, the combination of all of these symbols form a whole and define with great depth the underlying philosophy and Agenda of those in power – the Illuminati. Madonna’s embrace of the Illuminati symbolism discussed on this site coincides with her signing with Interscope Records, one of the main purveyors of Illuminati symbolism in the music industry. Her halftime show performance can therefore be considered as the “launching” of her three-album (and 40 million dollars) relationship with the prominent label. Madonna’s Superbowl performance has shown that, despite the fact that she is an industry icon and that she pioneered most of the themes modern pop stars still exploit, she still needs to fit the mold and to embrace the same symbolism rookie pop stars.

Laced with profound imagery, Madonna’s halftime performance was a massive Illuminati ritual, one that was witnessed by billions of viewers. On this Superbowl “Day of Atonement”, Madonna, the High Priestess of the Illuminati industry, entered the Holy of Holies of America and delivered a 13 minutes sermon that was heard by all…but understood by few.

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In my article entitled Amy Winehouse and 27 Club, I mentioned that the circumstances surrounding Winehouse’s death are rather “suspicious” and that “suspicious” celebrity deaths are often followed by vague explanations, botched investigations and all kinds of shady business. After months of strange flip-flopping regarding the cause of Winehouse’s death, the coroner that was looking into the singer’s case, Suzanne Greenaway , has resigned because she “did not have the correct qualifications”. Even odder, she was appointed to this particular position by her husband, coroner Dr. Andrew Scott Reid. These events will probably cause the entire investigation to be held again.

Yup, that’s the typical blur of confusion, contradictions and all-around crap that usually surrounds celebrity sacrifices. Here’s an article on Suzanne Greenway’s resignation.

Family of Amy Winehouse considering legal action after coroner at her inquest resigns because she did not have the correct qualifications

Amy Winehouse’s family says it is seeking legal advice after the coroner who oversaw the singer’s inquest resigned because she did not have the required qualifications for the job – raising the possibility the investigation may have to be held again.In October, Suzanne Greenaway ruled that the soul singer had died from accidental alcohol poisoning.

Greenaway had been appointed an assistant deputy coroner in London by her husband, Inner North London Coroner Andrew Reid.

But she resigned in November after authorities learned she had not been a registered U.K. lawyer for five years as required.

She had practised law for a decade in her native Australia.

Her resignation was not made public until today.

The Office for Judicial Complaints has now launched an investigation into Dr Reid’s conduct.

Dr Andrew Scott Reid, coroner for the Inner Northern District of Greater London, says he appointed Suzanne Greenaway thinking she was qualified

‘I believed at the time that her experience as a solicitor and barrister in Australia satisfied the requirements of the post,’ Reid said in a statement.

‘In November of last year it became apparent that I had made an error in the appointment process and I accepted her resignation.’
Reid apparently broke no laws in appointing his wife but could have breached professional guidelines. Greenaway was one of several deputy assistant coroners.

The local authority, Camden Council, said it was confident Reid ‘had made an error in good faith’ when he appointed his wife, but said the matter was being investigated by Britain’s Office for Judicial Complaints.
Winehouse’s inquest could be declared invalid if her family challenges the verdict in court.

In a statement, the Winehouse family said it was ‘taking advice on the implications of this and will decide if any further discussion with the authorities is needed’.

Last night, meanwhile, Amy’s father, Mitch, tweeted: ‘Don’t worry about coroner nonsense. We are all ok. Mitch.’

Dr Reid said: ‘In November it became apparent I’d made an error in the appointment process. While I am confident that all of the inquests handled were done so correctly, I apologise if this matter causes distress.’

The inquest into the death of the singer heard that she’d drunk enough to stop her breathing and send her into a coma.

Three empty vodka bottles were found near her body in her bedroom.

A pathologist who examined her said she had 416mg of alcohol per decilitre of blood – five times the legal drink-drive limit of 80mg. The inquest heard that 350mg was usually considered a fatal amount.

A doctor who treated the 27-year-old for her alcohol problem said she had repeatedly ignored warnings about the dangers of binge drinking.

But private GP Christina Romete, who saw the singer hours before her death, said she did not believe Miss Winehouse had deliberately drunk herself to death.

She said she had told her: ‘I do not want to die… I have not achieved a lot of the things I wanted.’

Miss Winehouse won five Grammy awards for her 2006 hit album Back To Black. But she became as well-known for her battle with alcohol and drugs as for her singing.

She was found dead in her flat in Camden, North London, on July 23 last year.

- Source: Daily Mail

The first month of 2012 is over and boy did we see Illuminati symbolism across popular culture. Here’s the January edition of Symbolic Pics of the Month featuring Demi Lovato, Nikki Minaj, Beth Ditto, Dakota Fanning and a bunch of fashion shoots. Even Warren Buffett is in there.

This fashion shoot entitled "Kim & Luisa" by photographer Pierre Dal Corso appears to be heavily influenced by mind control imagery. In this pic, the model's face is painted white to match the mask she is holding. Masks are classic symbols of mind control that represent the MK slave's alter persona (masks are also used in actual mind control programming). The mask also hides one eye, another important symbol of mind control.

 

Another pic emphasizing on the concept of the mask as an alter persona.

 

The model's expressionless face inside a big eye...as if she is owned by it.

 

Same photoshoot, again with the one eye.

 

Here's another mind control-inspired photoshoot by photographer BlanQ. Aptly entitled "Identity" (MK slaves lose their own identity and are programmed new ones) the shoot features the robotic models manipulated by hidden handlers. In this pic, the handler places a doll (representing the powerless slave) on the model's head, while other arms control the rest of her body.

 

In this one, the handlers get a bit more "grabby", demented and abusive which refers to the sexual abuse that is inflicted on MK slaves to cause dissociation.

 

This disturbing pic (is this still fashion) portrays the total control of handlers on the slaves. They even hide the slave's distress behind a forced (programmed) smile.

 

This image, used to promote Beyonce's last album, caused some controversy due to the fact that her skin color was obviously "paled". Looking further into the image, the animal prints and the blonde hair refer to Beta Programming (also known as Sex Kitten programming).

 

Speaking of Sex Kitten, here's another combo of blond hair and animal prints. In Nikki Minaj's video "Stupid Hoe" (the most disliked video of 2012) the rapper is shown dancing inside a cage, one of the Illuminati's favorite ways to depict female pop stars. Definitely a recurring theme.

 

Demi Lovato's ritualistic performance at the People's Choice Awards. Dressed in red, color of initiation, Demi performs surrounded by Masonic checkerboard patterns, the surface on which occult rituals are performed in secret societies.

 

 

Mickey Mouse ears are also a favorite way to refer to mind control in pop culture. As seen in previous articles, Natalia Kills is all about mind control.

 

K-Pop singer Ahn Sohee also rocks Mickey Mouse ears for no apparent reason.

 

Photographer Richard Burbridge also felt the need to use Mickey Mouse ears in his photoshoot. Inverted star and Baphomet head on the model's shirt.

 

Lady Gaga photoshoot in l'Umomo Vogue. She is depicted as a fem-bot (mind control, transhumanism, Maria from Metropolis). Funny how pop stars, idols of millions of people, are openly showed as dehumanized, robotic figures...the exact opposite of what artistic expression is about.

 

An apt image to portray modern pop stars.

 

She does not seem to be in control of what she says.

 

Kyary Pamyu Pamyu making the one-eye sign. Her videos PONPONPON and Tsukematsukeru (see articles here and here) are orgies of Illuminati symbolism.

 

Beth Ditto is the new face of MAC. She is apparently celebrating her association with the makeup brand with a one-eyed tribute.

 

Actor Song Joon-ki in Vogue Korea. Vogue is a major "distributor" of Illuminati symbolism across the world.

 

Promotional picture for Dior

 

The cover of this issue of Cosmopolitan caused some controversy due to the fact that Dakota Fanning is a minor...and is surrounded with phrases such as "His best sex ever!", "Too naughty to say here!" and "Um, Vagina are you okay down there?"

 

Fanning was also featured in this controversial ad for Marc Jacobs holding a phallic object. Working hard to normalize pedophilia.

 

Super-elite, multi-billionnaire Warren Buffett at a party organized by Jay-Z. As TMZ now likes to say, he's "throwing up the Illuminati sign".

 

See the Masonic symbolism on Buffett's book cover

 

 

As always, special thanks to those who sent in pics!

Here’s a very interesting video on the cognitive effects of television on young children. Check out the results of his studies on young mice that were exposed to 6 hours of television per day compared to regular mice…and see how society is being dumbed down.

In a very short period of time, an enigmatic singer named Lana Del Rey went from complete anonymity to the front page of magazines, not to mention intense internet buzz and an SNL appearance. But along with this (almost literal) overnight success came revelations regarding the rising star: She is a total creation of her management team. When her previous artist persona named Lizzie Grant became a monumental flop, she underwent intense retooling including: A new name (which was assigned to her by her label), plastic surgery, a new musical style, a new image and a new marketing strategy. She is now signed with Interscope, Lady Gaga’s label.

The same way Stefani Germanotta was “revamped” to become Lady Gaga – a fake persona that fits the requirements of today’s music industry – Lizzie Grant was revamped as Lana Del Rey. Will this alter-persona be used to push the Illuminati agenda in the future?

Here’s an article about Lana Del Rey’s “creation” from The Guardian.

Lana Del Rey: The strange story of the star who rewrote her past

Lizzy Grant was a flop, changed her name to Lana Del Rey and was acclaimed as a new star. But the backlash from fans who felt duped has been unprecedented

You can still find traces of Lizzy Grant online. There is a video, dated 8 June 2009, that shows a young, casually dressed blonde woman in a green T-shirt and jeans singing alone on stage at a New York music show called The Variety Box. Grant’s voice was strong, but she seemed shy and spoke quietly to the audience to a smattering of applause.

Grant looked like any one of hundreds of young artists trying to make it in the clubs and bars of New York, singing their hearts out in the hope that one day they would be spotted. After all, that’s how big names from Bob Dylan to Lady Gaga got their breaks. But success never happened to Lizzy Grant. Her one and only album sank virtually without trace.

However, fame did happen to someone called Lana Del Rey, a 25-year-old sultry, seductive songstress who is the current hottest name in US music and whose debut album is one of the most eagerly awaited events in the industry this year. It comes out on 31 January.

Del Rey’s image is nothing like Grant’s. The video for her new song, provocatively called Born to Die, is slick and lavishly produced. The short film begins with her posing half-naked with a tattooed, shirtless man in front of the stars and stripes, then shows her sitting on a throne in a figure-hugging white dress flanked by two tigers. By the end of the video, she is covered in blood, wearing only a red bra. It is over-the-top and wildly eccentric.

But that suits Del Rey’s sound. Her soaring vocals and melodies, reflecting genres as diverse as hip hop and indie music, have won millions of fans. And Del Rey has quite a story to tell. After first appearing on the internet last year with an apparently home-produced video of a song called Video Games, she became a cult hit. She married her music to a mysterious image, self-styled as a “gangster Nancy Sinatra”, that paid homage to 1960s fashions and seedy showbiz glamour. In an interview recently shot poolside at the Chateau Marmont in Los Angeles, Del Rey explained her attraction to the notorious celebrity haunt. “It’s a place that has inspired so many of my videos and influenced a lot of my visuals,” she said through a mouth now framed by pouting, bee-stung lips.

Of course, Lana Del Rey and Lizzy Grant are the same person.

That revelation has made Grant/Del Rey one of the most controversial figures to emerge in US music for years. Some people feel victims of an immense confidence trick. When Video Games first went viral it became an underground sensation praised for its authentic feel. Del Rey’s amazing voice crooned the haunting song against a backdrop of grainy out-takes of home movies and Hollywood scenes. It currently has a staggering 20 million views on YouTube. The follow-up, Blue Jeans, with a similar feel, netted 6 million views. Del Rey’s few live gigs suddenly sold out. She won the Next Big Thing prize at the Q awards. She seemed set for the big time. But then questions were asked. A few critics began to wonder if, far from being some organic wunderkind, the transformation from Grant to Del Rey had been planned all along. Her stage name was chosen by her management. Rather than being an outsider struggling for recognition, Del Rey is in fact the daughter of a millionaire father who has backed her career. People were suspicious of the way Grant’s failed album, and all her social media websites, appeared to have been scrubbed from the internet just before Del Rey appeared. There has been much speculation as to exactly when Del Rey teamed up with her current label Interscope and how much influence their savvy marketers might have put into her original emergence.

“There are a lot of things that don’t seem organic about it,” said Steven Horowitz, who wrote a cover story about Del Rey for Billboard magazine. “She’s putting on a show. She’s here to entertain us.”

Suddenly, many of the fans that had boosted Del Rey turned on her in spectacular fashion. Music blogs poured vitriol on her talents. Some influential music websites, such as Hipster Runoff, have turned insulting Del Rey into an art form. Last weekend Del Rey appeared as the musical guest on Saturday Night Live. She gave a hesitant, uncertain performance – suddenly more Lizzy Grant than Del Rey – that triggered brutal criticism.

Celebrities even got in on the act. Actress and musician Juliette Lewis tweeted: “Watching this ‘singer’ on SNL is like watching a 12-year-old in their bedroom when they’re pretending to sing and perform.” Even news anchor Brian Williams weighed in, sending an email that was later published on gossip website Gawker that called Del Rey’s performance one of the “worst outings in SNL history”.

But it is not just Del Rey’s music and SNL performance that is being hauled over the coals. It is also her appearance.

Pictures of Lizzy Grant when contrasted to Del Rey have led many to speculate that she has had collagen injections in her lips and perhaps even plastic surgery. It is a charge she vehemently denied in a recent interview. “I haven’t had anything done at all… I’m quite pouty. That’s just how I look when I sing,” she insisted.

Del Rey has many defenders too. “She is just a gorgeous creature,” said Noah Levy, senior news editor at In Touch Weekly magazine. Horowitz said that whatever the truth of her emergence there is little doubt about her talent or commitment. “I think she cares about the art that she is creating. I don’t think that is fake at all,” he said.

Despite the outrage directed at her, Del Rey is employing one of the oldest tricks in the book: the creation of a stage persona. Some of the greatest names have done it. David Bowie and Madonna are notorious shape-shifters. So is Lady Gaga. Changing from Lizzy Grant to Lana Del Rey is not unusual when you consider that Bob Dylan’s real name was Robert Zimmerman and Iggy Pop was born James Osterberg. “I think Lana Del Rey is manufactured. But when Lizzy Grant came out with music it failed. So she reinvented herself and it worked,” said Levy.

In fact, Lana Del Rey’s rise says much about the nature of modern fame in the US. The internet has allowed figures like her to come rapidly to the fore of the cultural landscape, whether or not their emergence is planned by a record executive or happens spontaneously from someone’s bedroom. It has speeded up the fame cycle. It is worth noting that the huge backlash to Del Rey is happening before her first album has even been released. This reveals a cultural obsession with the “authenticity” that fans, artists and corporations all prize above all else.

Cultural critics say genuine authenticity is almost impossible to achieve. “The whole idea of authenticity is elusive. It is in many ways a complete illusion,” said Professor Robert Thompson, a pop culture expert at Syracuse University. Others have simpler explanations for the stir Del Rey has caused, seeing misogyny against a female artist so willing to use sexuality as a way of selling her music. “There is a ‘mean girls’ attitude to some of it,” said Horowitz.

Either way it does not seem likely that Del Rey will be leaving the music scene any time soon. Sales of her new album are set to be astronomical. It has crept into Amazon’s top 25 in the US on pre-sales alone. She is booked for appearances on major talk shows. “Lana Del Rey can go anywhere that she wants to,” said Levy. “She’s going to one day be the cover of Rolling Stone.” Lizzy Grant may have failed to make it. But her next creation seems ready for stardom.

- Source: The Guardian

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Tim Thomas holding up the Stanley Cup in spring 2011

One of the perks of winning a championship title in professional sports is to attend the traditional White House meet-and-greet, where the President himself comes out to congratulate the players and to throw a few pre-scripted jokes. Well Tim Thomas, the all-star goalie of the Boston Bruins and winner of the playoff MVP award did not perceive this rare occasion as a privilege. Nope, in a gutsy and controversial move, the only American-born player on the entire team totally boycotted the event. In his Facebook page, Thomas explained the reason of his absence:

“I believe the Federal government has grown out of control, threatening the Rights, Liberties, and Property of the People. This is being done at the Executive, Legislative, and Judicial level. This is in direct opposition to the Constitution and the Founding Fathers vision for the Federal government.

Because I believe this, today I exercised my right as a Free Citizen, and did not visit the White House. This was not about politics or party, as in my opinion both parties are responsible for the situation we are in as a country. This was about a choice I had to make as an INDIVIDUAL.

This is the only public statement I will be making on this topic.”

His absence was not well received AT ALL by fans and journalists who called him a “disgrace” and a “right-wing redneck”. I call him “someone who knows what the hell is going on and won’t stand for it”. The last few administrations have indeed betrayed the very foundations of the US Constitution and it doesn’t take a “right-wing redneck” to realize it. We’ve seen in the past weeks the voting of some of the most disgusting laws in US History, notably the NDAA, the police-state law.

So, in short, it takes guts to win a Stanley Cup but it takes balls of iron-clad steel to reject the President and to tell the world what you think about the presidency. Kudos, Tim Thomas. I for one respect your move.

I am not a fan of big, over-the-top statements, but it is safe to say that the future of the internet is currently being decided. Will it remain a haven of free speech or will it become another tool of governmental and corporate control? A “fight for the internet” is taking place. On January 19th, the FBI shut down the popular file sharing site Megaupload while anti-SOPA protests took to the streets and the world wide web (you might have noticed that Wikipedia’s blackout). In case you didn’t know, SOPA and PIPA give the US government unprecedented authority to shut down websites without prior notice (see the article I published about SOPA back in November for more information).

Seeing that an overwhelming majority of internet users oppose this legislation and that its potential enactment has caused nothing less than a major uproar in the internet world, Senate Majority Leader Harry Reid used an old trick: He postponed the vote for SOPA, which was scheduled for January 24th, to a later date, hoping that the negative publicity surrounding the vote would die down. As you know, voting for ridiculous law in a context of general indifference is the elite’s favorite way of proceeding. It is up to us to stay vigilant, to not forget about this awful piece of legislation and to make sure our voices are heard until SOPA and PIPA are thrown in the garbage – where they belong. Here’s an article about the postponing of SOPA and PIPA.

Senator Reid: PIPA Vote Postponed

The anti-SOPA Day of Protest ripples continue to spread. On Friday morning, Senate Majority Leader Harry Reid (D-NV) put the brakes on a PROTECT IP Act (PIPA) cloture vote. The vote was originally scheduled for Tuesday, Jan. 24.

“In light of recent events, I have decided to postpone Tuesday’s vote on the PROTECT IP Act,” said Reid in a statement Friday morning.

In a cloture vote, the Senate decides whether or not to end debate on a bill and bring it forward for a final up-or-down vote. For such a vote to be successful, three-fifths of the Senate (or 60 Senators) must vote in the positive.

Sen. Reid previously said that “we need to work on this and we’re going to — I will hope we can have a manager’s amendment when we get back here in a week or 10 days and move forward on this. It’s important that we try to do this on a fair basis and I’m going to do everything I can to get that done” during a Jan. 15 interview on NBC’s Meet the Press.

On Wednesday, major websites such as Wikipedia and Reddit went dark to protest PIPA and its sister bill in the House of Representatives, the Stop Online Piracy Act (SOPA). Facebook and Google, which came out against SOPA and PIPA in a public letter written late last year, provided users with information about the bills and contact information for elected officials. Google also launched an online petition, which gathered over 7 million signatures by Thursday morning.

SOPA and PIPA made it into the CNN-Southern Republican presidential debate Thursday night, with each candidate denouncing the bills to some extent.

Supporters of the two bills consider PIPA and SOPA necessary new tools in the fight against online piracy and copyright infringement. Opponents claim they give excessive power to copyright holders and the federal government, and that they risk making the Internet slower and less secure while also stifling online freedom of speech and digital innovation.

Do you think it’s good that the Senate is taking more time to consider PIPA? Let us know in the comments below.

- Source: Mashable

The Illuminati Agenda in popular culture has become a worldwide phenomenon and it hasn’t spared Eastern Europe. Doda’s “Bad Girls” and Vintage’s “Trees” are two examples of very symbolic music videos that are extremely popular in Russia and Poland. We’ll look at these two video and see how their symbolic content is completely on-par with the world elite’s agenda.

What is called “the Illuminati” functions on a global scale, so it is only natural that its propaganda machine is also deployed on a global scale. While the American and British artists reach most of the world, “regional” stars are also used to propagate the elite’s Agenda to specific ethnic groups. Previous articles on Vigilant Citizen have described the Illuminati symbolism found in music from Korea, Japan, Latin America and Russia. Despite the difference in culture and language between these countries, today’s globalized mass media machine manages to expose the entire world to a specific Agenda and to a precise set of symbols.

Eastern Europe is obviously not exempt from the media machine. Not unlike the rest of the world, pop stars are often handpicked, signed to international record labels and put in the spotlight using videos that are in line with the Illuminati Agenda. In this article, we will look at Doda’s “Bad Girls” and Vintage’s “Trees”, two videos that, despite their limited market, have managed to get a lot of airplay and millions of YouTube views. Although not in the same language, both videos are a direct reflection of the philosophy and the goals of the Illuminati and act as a kind of “local distributors” of the elite’s Agenda. Let’s look at the message of these videos.

Doda’s “Bad Girls”

At first glance, one would be tempted to qualify Doda as a “bimbo”. And her first album cover would probably agree with you.

Doda's first album cover entitled "Bimbo" while she was in the group Virgin.

However, Doda is an extremely popular and influential figure in Poland. In fact, CNN ranked her as as the tenth most famous Pole in history. Yes, in HISTORY. That list includes Pope Jean-Paul II, Copernicus and Marie Curie. Furthermore, the Polish magazine Viva! placed her among the ten most influential women in Poland. Not bad for a bimbo. She also has a knack for creating controversy. In 2010, she caused quite a stir when she stated that the Bible was written “by people who drank too much wine and smoked herbal cigarettes”.

Doda’s popularity and sex appeal made her a perfect choice for Illuminati propaganda. After a few albums with the rock band Virgin, Doda began a solo career as a pop singer and her album, the Seven Temptations, appear to have all of the hallmarks of a true Illuminati piece.

The video, “Bad Girls”, reads like an Illuminati for Dummies: Polish Edition book, cramming into its few minutes of musical horror a complete array of messages. Some might say: “The Illuminati Agenda exists in the U.S., but not in Poland” and so forth. Well, Doda is signed with Universal Music, one of the five media conglomerates that distribute mass media across the world. It owns labels like Interscope, Geffen, A&M, Defjam, Island and Motown. She is therefore part of the elite’s system and was apparently chosen to be the Illuminati’s representative in Poland.

Bad Girls

The video takes place in a setting that the Illuminati loves: A futuristic dystopian police state. Cameras and “tele-screens” everywhere, police in riot gear and a faceless ruler: This imagery is present in pop videos around the world.

The “hero” of the story is Doda, a half-human half-robot, who emerges from some kind of transhumanist scientific lab. The promotion of the merger of humans and robots is a staple of the agenda, as seen in the article  “The Transhumanist and Police State Agenda in Pop Music”.

The elite's preferred way of depicting their pop stars: Half-robots kept alive by a gigantic machine. The other "Bad Girls" are also attached to the machine.

There’s an English version of the song but the lyrics are kind of … nonsensical. However, they still manage to convey the fact that she’s “down with the dark side”.

“I know my way of my Babylon
All demons know, my booty show
Girl dress to kill I’m hell on heels
So come with me, we’ll go oh”

After blasting their way out of the lab, Doda and her girls then meet up in a restaurant that apparently serves humans: Another example of making dehumanization “cool” in music videos.

This restaurant is decorated with humans the same way steakhouses are decorated with cows. How engrossing.

In this restaurant for cannibals, Doda and her “bad girls” plan their attack on the big boss of the city.

The girl on the left has one eye hidden. Yes, Polish people also need to be exposed to this Illuminati One-Eye crap.

However, the meeting is interrupted by police in riot gear – a common sight in elite-supported videos (see the article entitled The Transhumanist and Police State Agenda in Pop Music).

Getting young people used to the sight of police in riot gear is an intricate part of the Illuminati Agenda in mass media.

When Doda sees the guards, she basically loses it and kills them with an animal-like scream (or something of the sors). Most people would be satisfied with such a result, but not Doda. She goes to the morgue where the dead guards are found and … gets sexy with one of them.

After cannibalism, necrophilia. I do not sense a lot of respect for human dignity in this video.

After she’s done with the dead guy, a strange phrase appears on his chest, one that appears to sum up the culture of death mass media keeps pushing on the world: “No Death, No Fun”.

"No Death, No Fun" ... is this the slogan of the occult elite that has plans for massive depopulation and enjoys ritual sacrifices?

Doda’s desecration of a dead body is not over. She accomplishes a symbolic gesture that confirms who is behind the message of the video.

Doda takes out one of the guy's eyes. Again, we have a reference to the "one-eye" symbol.

Doda uses the guard’s eye go past the security system that protects the access that leads to the King of the City. After a corny fight scene, Doda “overthrows” the King of the City and sits at his throne. A pill then emerges from her hand and, looking at the camera, Doda says “Try Me”.

Doda shows the viewers the pill they must "swallow" - symbolizing the doctrine they must accept - while urging them to "try her".

The sign on the pill has a heavy meaning. It is the symbol of Mercury, who is also known as Hermes - the "chief god" of the occult elite. Usually, the bottom part of the symbol resembles a plus (+) sign however, in this case, one extremity has been elongated, making the sign look like an inverted cross - a symbol used in Satanism. We therefore have a devil head sitting atop an inverted cross. Can't get more blatantly symbolic than that.

Doda’s overthrow of the King of the City can also be interpreted on a personal level. Since the video is very “anatomical”, the action of the video could happen inside a person’s body and mind. In this context, Doda and her girls, who were conceived in government labs, represent the Illuminati agenda that was conceived and calculated in elite think tanks. The message is inherently poisonous (hence “Bad Girls”) but is disguised as something sexy and attractive.

Doda (representing the propaganda) goes through the viewer’s eye (represented by the poking out of the guard’s eye) in order to access the brain – represented by the King of the City. She overthrows him and sits at his place, which represents a successful fight against the mind. Doda then asks the viewers to try her “Bad Girls” pill.

Therefore, in short, the same way Doda emerges from a lab and takes over the city, Illuminati propaganda emerges from think tanks and seeks to take over the masses’ brains through mass media. Popular culture promotes corrupt and debasing values, degrades human life and pushes transhumanism because this is where the elite want to take the world. Will you be swallowing the pill?

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Vintage’s “Trees”

If Doda’s “Bad Girls” is a big, loud, heavy-handed and darn near offensive display of symbolism, Vintage’s “Trees” is a much more soothing experience. The subtle symbolism is, however, all the more powerful. While the video appears to be just another other semi-spiritual, pseudo-esoteric and vaguely sensual music video (see Madonna’s “Frozen”), this one, when carefully decoded, has a heavy symbolic meaning: It describes the coming of a “new era” … but not before heavy tribulations.

As seen in the article entitled Mind Control Symbolism in Russian Pop: Vintage’s “Mikkie”, the group has already produced Illuminati-heavy music videos. That being known, is it surprising that the group’s latest video depicts the ultimate goal of the occult elite, namely the creation of a New World Order? Let’s look at the video’s most symbolic scenes.

Anna in a red dress - the ritualistic color of initiation and sacrifice.

The video begins in a dry and windy desert. Everything in the scene is in monochrome except for Anna’s dress, which is bright red. As we’ve seen in several previous articles, red clothing represents initiation and sacrifice. Anna walks towards a pyramid made of half-naked people who appear to be mesmerized by a mysterious source of light.

The people that make up the pyramid seem to be revering a light at the apex of the pyramid. The source of that light is unknown ... for now.

This pyramidal shape and its glowing capstone are very similar to a symbol many of you might be familiar with: The pyramid and All-Seeing Eye of the Great Seal of the United States – the main symbol associated with the occult elite, the Illuminati.

Does the pyramid and lighted capstone in Vintage's video refer to the Great Seal of the USA - which represents the unfinished "Great Work" of the occult elite?

While the pyramid in Vintage’s video is very similar to the one on the Great Seal, there is a notable difference between the two: The one in the video is made of people. These people blending together to form the base of the pyramid represent the masses, which is the true source of power of the elite. Without the compliance (and ignorance) of the general population, the “Great Work” of the elite – a New World Order – would never happen. The people in the pyramid are very cattle-like, acting like lascivious zombies who are subject to their basest instincts.

Inside the pyramid is basically one big orgy - which goes in line with the elite's view of the masses: A big herd of animals that need to be kept distracted and under control.

A recurrent scene in the video appears to refer to the occult powers of sexuality, whether it be for illumination or manipulation.

Anna is sitting in a "chakra activation" position and performing a gesture reminiscent to Baphomet's "As Above so Below" hand sign. Behind Anna is an inverted triangle, a symbol that occultly represents the feminine. The combination of all of these images, and, of course, the lips, point towards Sex Magick - a tool used by occultists for enlightenment, but that can also be used to control and manipulate.

Eliphas Levi's depiction of Baphomet in the same "chakra activation" position and performing a similar handsign.

The video then goes “underground”, where an important process occurs: The impregnation of Anna.

Below the ground, Anna is dressed in black (color of death and rebirth) and is tied up. She is surrounded by a bunch of nasty looking guys who are about to do nasty things to her.

In the following scene, we see the result of this simulated gang bang: A pregnant Anna posing in a way similar to the classic painting “Birth of Venus”. We then see a countdown from the year 2012 to the year zero, which is associated with the birth year of Jesus Christ.

Anna is shown pregnant and on top of the world while the years countdown to the year zero. Who will she give birth to?

When the countdown is over, a figure appears at the top of the illuminated pyramid:

Anna appears with a crown of thorns, dressed in white

Is this the second coming of Christ … or the coming of the anti-Christ? This new figure is definitely not the result of an “immaculate conception” as her conception happened while she was tied up and raped in a hellish, underground setting. The Christ figure is nevertheless revered by the masses. Anna-Christ then raises her hand and causes a great deal of death and destruction.

As the Christ figure raises her arm, civilization in its entirety appears to collapse.

Many people from the masses die from the tribulations - a fact that Anna-Christ doesn't seem to care about and that Anna in red almost celebrates.

After the period of “tribulations” is, a New World (Order) can start to grow.

After the death and destruction caused by Anna-Christ, the video ends with new life emerging from the ground.

This video is symbolic on several levels. It combines history, civilization and spirituality in a tale of initiation, death and rebirth. Atop an illuminated pyramid, a spiritual leader appears at the year zero – which denotes the beginning of a new Age, a new era or a new aeon – shakes up the entire world. While this figure appears to be the second coming of Christ, those who are acquainted with the Book of Revelation might notice that this new leader, which was conceived in an underground pit, bears many similarities to the Bible’s description of the Antichrist (also referred to as “the Beast”).

“The beast, which you saw, once was, now is not, and will come up out of the Abyss and go to his destruction. The inhabitants of the earth whose names have not been written in the book of life from the creation of the world will be astonished when they see the beast, because he once was, now is not, and yet will come.”
- Revelation 17:8 (NIV)

As we have seen in previous articles (i.e. the article on the movie Metropolis), the Illuminati places a great importance on the Book of Revelation and its telling of the Apocalypse. The esoteric interpretation of this Biblical enigma associates it with the end of the Age of Pisces and the beginning of the Age of Aquarius.

On an occult level, the process shown in the video can be compared to the steps of the Great Work of Alchemy: Nigredo, Albedo and Rubedo (translated to Blackening, Whitening and Reddening). These are the three alchemical steps to turn a crude metal into gold and, on a spiritual level, to turn a profane person to an illuminated person. These steps are represented by Anna’s clothing. In alchemy, the step of Blackening involves the putrefaction and decomposition of a body into its primal matter in order to create new life and is associated with “the difficulties man has to overcome on his journey through the underworld”. Anna was dressed in black in the scene where she was in an underground pit and “being consumed” by men. The process of Blackening leads to the birth of a new life, which is the step of Whitening – represented by Anna-Christ dressed in white. The final step, the Reddening, is manifested when man is master over both the physical as the spiritual world and is represented by Anna in red, the initiate who is the center focus of the video.

The world elite often represents its plans towards a New World Order as an alchemical “Great Work”. An example of this can be found on the Murals in headquarters of Bank of America (see the article Analysis of the Occult Symbols Found on the Bank of America Murals). According to their philosophy, the entire world can be subject to the same alchemical transformation that is applied to a single individual. The process would undoubtedly involve a lot of death and destruction but that appears to be “part of the plan” (as portrayed by the dead bodies found in the video). Is this why the coming of an Antichrist is portrayed in a positive way in the video?

In Conclusion

Doda’s “Bad Girls” and Vintage’s “Trees” are two very different videos, yet they have an important thing in common: they both portray critical parts of the Illuminati Agenda in mass media. While the first video is a perfect example of how popular culture aims to debase the masses with self-destructive values, the second describes the “grand scheme of things”, according to the elite’s philosophy.

These two videos are just two examples of the Illuminati’s efforts to expose the entire world to its Agenda and symbolism. Through veiled tales of initiation and transformation, the masses unconsciously witness, via “entertainment”, celebrations of their own demise. In the same way that the people in Vintage’s pyramid revere an unknown source of light, the masses idolize stars that work for an unseen elite.  Will the masses be one day indoctrinated enough to welcome a “saviour” that will appear at the top of the Illuminati’s pyramid? Only time will tell.

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Some New-York schools have decided to strap fat kids with devices that monitor them 24/7. The device collects all kinds of information from the students and sends them to a database that can be consulted by school officials and such. This was apparently done without the parent’s consent and represents an unprecedented intrusion in student’s private lives. Some might say “Well its in an effort to fight obesity and blah blah blah”. I say: 1- Its mostly an effort to make money for the company that makes these things 2- these kinds of privacy violations are always “justified” by a bogus “good cause” and 3- Why don’t we monitor the fat teachers at the school too? And the fat principal? And the fat lunch lady? And the kids’ fat parents? You see where that could lead. Here’s an article from the NY Post.

Schools ‘spy’ on fat kids

Big Brother is joining the battle of the bulge.

A group of Long Island students will soon be wearing controversial electronic monitors that allow school officials to track their physical activity around the clock.

The athletics chair for the Bay Shore schools ordered 10 Polar Active monitors, at $90 a pop, for use starting this spring. The wristwatchlike devices count heartbeats, detect motion and even track students’ sleeping habits in a bid to combat obesity.

The information is displayed on a color-coded screen and gets transmitted to a password-protected Web site that students and educators can access.

The devices are already in use in school districts in St. Louis and South Orange, NJ — and have raised privacy concerns among some parents and observers.

But Ted Nagengast, the Bay Shore athletics chair, said, “It’s a great reinforcement in fighting the obesity epidemic. It tells kids, in real time, ‘Am I active? Am I not active?’ We want to give kids the opportunity to become active.”

The monitors are distributed by Polar Electro, of Lake Success, LI, the US division of a Finland firm.

In the South Orange-Maplewood School District, where earlier versions of the devices have been used for two years, upper-grade students’ marks in phys ed are based in part on heart-rate monitors and activity sensors.

Teachers use hand-held computers to collect data from each student’s wrist monitor during class, then upload the information to the school computer system for storage and long-term tracking.

But privacy advocates and parents worry that schools are using electronic monitors in phys ed without families’ knowledge or consent.

“I didn’t even know it was going on, and I’m active in the school,” said Beth Huebner, of St. Louis.

Her son, a fourth-grader, wore a Polar Active monitor in class without her OK last fall at Ross Elementary School.

“We have gotten no information about the Web-site security or where the data will go,” Huebner said.

“When you get into monitoring people’s biological vital signs, that’s a pretty intrusive measurement,” said Jay Stanley, of the American Civil Liberties Union. “There are key privacy interests at play.”

At the very least, says Stanley, parents must have a say in how long the data will be stored and who will have access to it and schools must obtain parents’ consent.

“A program like this should only be voluntary. Nobody should be forced to reveal biological indicators,” he said.

“It’s all about secondary use,” said Virginia Rezmierski, an expert on information technology and privacy at the University of Michigan.

“Does the data pass along with the child from school to school? When will insurance companies want to get access to it? Will a school want to medicate a child that the monitor identifies as hyperactive? It’s potentially very dangerous ground.”

- Source: NY Post

Nike’s Kobe System promotional ads feature basketball player Kobe Briant posing as a useless motivational speaker who “guides” people that are already successful to…beyond success. The entire thing is funny and ridiculous but the strong symbolism present in the ads hint to the “true” nature of success…and what happens “beyond” it. Here’s one example of the series of ads.

You have Kobe speaking in front of “successful” people like Kanye West, billionaire Richard Branson and motivational speaker Tony Robbins. You know these people are not in the ad for the money. They’re here to “represent”. The slogan of the system is “Success for the Successful” and Kobe talks about the step ABOVE success. What is the step above being a successful person in one’s field? Being introduced (or initiated) into the elite – a club that guarantees financial and societal privileges.

"Success" is represented by the apex of a pyramid - the same apex that has the Illuminati's all-seeing eye on the Great Seal of the United States. On each side we see a phallic symbol pointing downwards a "womb" represented by the "V" shape above the triangle, which represents the all-important concept of union of opposites in Illuminati symbolism.

So, yes, this is an ad to sell shoes. But it is also an ad to sell the elite and its symbolism to the masses.

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The untimely death of Brittany Murphy at the age of 32 is another one of these strange celebrity death cases where “investigations” simply do not provide satisfactory answers. Like many other cases, Brittany appeared in symbolic images alluding to occult societies and mind control before her death. Here are some examples.

Mask + emphasis on one eye - referring to a MK alternate persona.

Odd picture of Brittany surrounded by masked members of an occult secret society.

Was Brittany Murphy “off the freedom train” by her handlers? Here’s an article about the “vagueness” of the autopsy.

Brittany Murphy’s Dad Suing Over Autopsy Report

The man claiming to be the biological father of late actress Brittany Murphy is challenging the results of her autopsy in a lawsuit against the Los Angeles County Coroner’s Office.

According to Entertainment Tonight, Angelo Bertolotti claims “testing/toxicology was incomplete and the death of Brittany Anne Murphy Monjak was never fully investigated.”

Bertolotti, who is also suing the Los Angeles Police Department, has requested samples of his daughter’s hair for testing.

“I’m not going to rest until my daughter’s untimely demise is properly investigated, which hasn’t happened so far. Her case deserves more than a superficial glance,” Bertolotti said in a press release quoted by The Hollywood Reporter.

The coroner’s office ruled that the 32-year-old actress died in December 2009 of pneumonia, anemia and prescription drug intoxication.

Murphy’s husband, Simon Monjack, died five months after his wife. His autopsy showed the causes to be pneumonia and anemia.

Bertolotti believes that tests of Murphy’s hair may show evidence that toxic mold in her Hollywood Hills home could have caused her death, according to The Hollywood Reporter.

His suit comes a month after Murphy’s mother, Sharon Murphy, filed a lawsuit against the law firm that represented her in a case involving the actress’ home. Sharon claims the law firm should have advised her against signing a settlement with the builders of the house when they should have known there was toxic mold in the home.

- Source: ABC News

Shaquille O’Neal, also known as ShaqAttack, ShaqFu, ShaqDiesel, RadioShaq and Free Throw King (alright, I made up these two last ones), has a new AKA: ShaqMason. Here’s a short video of Shaq showing off his Masonic allegiance on national TV, followed by awkward comments by his colleagues.

Corey Feldman caused quite a stir a few months ago when he revealed that pedophilia was rampant in Hollywood (see the article Actor Corey Feldman Says Pedophilia No. 1 Problem for Child Stars). He now plans to reveal the names of two Hollywood men who abused him while he was a minor in an upcoming tell-all book. Some critics said: “Why doesn’t he go to the police instead of attempting to make money off a book?”. Two answers immediately come to mind: First, I am not convinced that the LAPD will be too cooperative in investigating and arresting highly powerful, highly connected Hollywood handlers. Secondly, I am pretty sure that the statue of limitations has expired, making prosecution invalid today. Finally, these people (and this industry as a whole) need to be exposed to the public. Here’s an article and a video about Feldman.

‘I will reveal the names of TWO Hollywood paedophiles that abused me,’ says Corey Feldman

As a teenage star Corey Feldman starred in some classic movies and became an eighties Hollywood icon.

But on film sets such as The Goonies, Stand By me and The Lost Boys he claims to have been sexually abused by paedophiles.

The Dancing On Ice star admits he was preyed on by many men and he plans to reveal the names of two Hollywood perverts in a tell all book.

The 40-year-old actor explained how at age 14 he was being leached upon and used by men like vultures.

He told The Sun: ‘It was basically me laying there pretending I was asleep and them going about their business.’
Corey, who has been clean of drugs for 20 years, will write a book to chronicle all the abuse that he and other actors endured as children.

He decided it was time to open up about the seedy side of the industry after his Lost Boys co-star Corey Haim, 38, died and an agent was charged with child abuse.

Feldman said that Haim, who died from heart failure and pneumonia, was also sexually abused and the people who did it believe that they are above the law.

He feels Hollywood have used the pair as scapegoats and labelled them drug addicts and has-beens.

Corey said: ‘Even today people say about me, “Eighties heartthrob; hasn’t done anything since.” The truth is I haven’t stopped. Last year I did four films.’Corey and I were pegged as the scapegoats… People need to know the reason Corey and I were swept under the carpet like the beaten dogs that were sent to the pound so no one had to deal with us anymore.’

Feldman first spoke out about his troubled past last year and he believes that is the reason why an anonymous former child actor claimed he had been abused by talent agent Martin Weiss.

He said: ‘I stood up and said there is a bigger problem, that I’d lost Corey and that I didn’t want to see any more kids lost to these sick perverts.’Although Weiss, 47, did not abuse Corey, he is still helping the detective in charge of the case with investigations.

The actor is aware of the danger he is putting himself and his family in by naming those who molested him but after losing his good friend Haim he wants to protect his own son.

- Source: Daily Mail

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In the past months, Rapper 50 Cent has been rather vocal about his troubles with his record label Interscope Records and the “politics” surrounding the music industry. Although most of his antics appeared to be caused by the constant drop of his record sales and the frustration that comes with the loss of relevancy – which usually result into a lack of respect from the record label – his recent comments took a rather grim tone when he stated: “Ill be honest I don’t think I’m gonna live much longer”. This tweet followed previous comments about his label and music industry such as: ‘I have lost all the faith in the team I’m on. I having nothing left to say I will not be promoting my music” and “Music was so much fun for me now the people and politics involved disgust me.” Is he seeking attention or simply aware of the consequences that come with breaking the Oath of the music business? Here’s an article about Fiddy’s comments.

‘I’m not going to live much longer’: 50 Cent makes macabre death prediction on Twitter

His first album was titled Get Rich or Die Tryin’.

But despite meeting his ambition after raking in tens of millions thanks to his highly profitable career, it seems 50 Cent believes he is heading for an early grave.

For the hip hop star made a series of tweets in which he said he was convinced death was just around the corner.

Fiddy, 36, said: ‘Ill be honest I don’t think I’m gonna live much longer.’

He also insisted he is ‘good if I die tonight.’

It came after he had a lengthy Twitter rant about the state of his career.

He said: ‘I have lost all the faith in the team I’m on. I having nothing left to say I will not be promoting my music.

‘I’m going to deliver this album then I have a film I wrote to focus on.

‘I’m not upset I’m just convinced this is not how I want to remembered.’

The wealthy star was alluding to his high profile falling out with his record label Interscope.

He has been attacking them in a flurry of internet messages, previously saying: ‘Were suppose to be on the same team with me.

‘Music was so much fun for me now the people and politics involved disgust me.’

Perhaps the reason they are at loggerheads is the rapper’s failure to replicate the sales success he enjoyed earlier in his career.

His 2003 debut album sold a whopping eight millions copies in the US alone, and is the fourth biggest selling rap album of all time.

It’s follow up The Massacre also did well, selling just short of five million copies in the States on its way to going five times platinum.

However 2007′s Curtis only went platinum, with sales of more than 1.3 million, while his most recent album 2009′s Before I Self Destruct fared even worse selling just 446,000 copies.

At least the rapper has been able to enjoy a profitable career away from the world of music.

He is believed to have made $100m after tax after Coca Cola bought the drinks company Glaceau in 2007.

Fiddy, real name Curtis Jackson, had a stake in the company after producing the Vitamin Water drink Formula 50.
- Source: Daily Mail

In the series of articles entitled “Dumbing-Down Society” (check out part 1 and part 2) it was mentioned that a fatty diet containing lots of processed foods had a detrimental effect on, not only on the body, but on the brain as well. A recent study has further confirmed this fact stating that “people who had high levels of circulating trans fats had less brain volume. They also had poorer memory, attention, language and processing speed skills”. In other words, trans fats make you dumber. The study also suggests that consuming Omega-3 has a very noticeable positive effect on brain functions (a fact that was mentioned in the article Dumbing-Down Society Part 3: How to Reverse its Effects). Although the study focused on elderly people and on brain diseases like Alzheimer’s (an advanced state of brain atrophy), its conclusions contain facts that should be known by all who want to keep their brains healthy and fully functional. Here’s an article from the Vancouver Sun about the study.

Trans fats linked to brain shrinkage

Levels of vitamins C, E, B and D higher in group of healthy aging adults with larger brains: study

Researchers have found that there’s a part of your body that might shrink when you eat too much fast food.

Unfortunately, it’s your brain.

People with diets high in trans fats are more likely to experience the kind of brain shrink-age associated with Alzheimer’s disease than people who consume less of the artery-damaging fats, the new study suggests.

Those with diets high in vitamins C and E, the B vitamins and vitamin D, meanwhile, appear to have larger brains than people with diets low in these nutrients.

And diets high in omega three fatty acids seemed to benefit the small blood vessels of the brain – “and the thinking abilities related to those vessels,” said lead investigator Dr. Gene Bowman.

The work – published in the journal Neurology – involved 104 people, ages 65 and older, enrolled in the Oregon Brain Aging Study. All were generally healthy elders, with few smokers or people with diabetes or high blood cholesterol.

When the study was launched in 1989, “the aim was to study the effects of age on dementia risk in people that don’t have factors known to increase their risk at the time,” Bowman said.

In the new study, researchers checked blood samples for markers of 30 different nutrients. Participants also did a raft of neuropsychological tests, and 42 had MRI scans of their brains as well. The team was interested in three things: cognitive function, total brain volume and white matter changes thought to be a sign of small vessel disease of the brain.

Small vessel disease, also known as cerebral small vessel disease, is an accumulation of plaque deposits in the small blood vessels throughout the brain. It can lead to stroke.

“We know in Alzheimer’s disease that total brain atrophy [shrinkage] is accelerated com-pared to people of the same age and same gender that don’t have Alzheimer’s disease,” said Bowman, a naturopathic doctor in the department of neurology at the Oregon Health and Science University in Portland.

Among the key findings:

. The B vitamins, the antioxidants C and E and vitamin D all seemed to be working in con-cert in some way the researchers can’t yet fully explain. But the B-C-E-D pattern was associated with greater total brain volume and better global cognitive function. People who scored low on this vitamin combination turned out to have less total brain tissue;

. People who had high levels of circulating trans fats had less brain volume. They also had poorer memory, attention, language and processing speed skills;

. People with higher levels of omega three fatty acids had better executive function – the ability to plan, problem solve, multi-task and perform other functions – as well as fewer white matter lesions on their brain scans.

The findings held after researchers took age, sex, education, hypertension and genetic and other factors into account.

Some trans fats are found naturally, in small amounts, in dairy products, beef and lamb, but the trans fats in the study are hidden in cakes, flaky pas-tries, potato chips and other fried, frozen and processed food. Trans fatty acids increase inflammation, make arteries harder and decrease heart rhythm, increasing the risk of cardiac arrest.

Only a handful of studies have looked at the relationship between trans fats and brain function, Bowman said. “I think our study is one of the first to look at blood levels of trans fats related to brain health.”

Evidence suggests that trans fats can replace good fats in cell membranes, “and when that occurs it changes the structure and chemical properties of the cell in an unfavourable way,” Bowman said.

“Trans fats are known to be bad for cardiovascular health,” he said. “It makes sense that they’re probably bad for the brain, too.”

He recommended avoiding processed foods that list “partially hydrogenated oils” on the ingredient list. “That’s trans fat,” Bowman said.
- Source: Vancouver Sun

According to the staff at London’s Intercontinental Hotel, Lady Gaga left her room’s bath filled with blood. Her room’s housekeeper stated that Gaga was “bathing in blood as part of a Satanic ritual”. Is this true, false or maybe a publicity stunt? Not sure, but, in the light of previous articles, not impossible. Here’s an article from the Independent.

Lady Gaga left ‘blood’ in hotel bath

Lady Gaga allegedly left “large amounts of blood” in a hotel bath.

The eccentric singer reportedly shocked staff when she checked out of London’s lavish Intercontinental Hotel last summer and they discovered a pool of red liquid in the tub of her suite.

One housekeeper claimed the pop superstar was “bathing in blood as part of a Satanic ritual”.

She told website Truthquake: “Lady Gaga left large amounts of blood in the suite during a stay this summer. The incident was reported to the concierge, who was told to put it out of her mind.”

Other sources believe Gaga could have been using the red liquid as part of a “weird” stage costume or prop.

An insider said: “All of the hotel’s staff are convinced she was bathing in it or, at the very least, using it as part of one of her new costumes or weird stage routines.”

While it is unclear whether the liquid actually was blood or what the singer had been using it for, it is not the first time Gaga has been accused of unusual behaviour in hotels.

It has previously been claimed that she is terrified of evil spirits and reportedly has every hotel and tour venue scanned by a team of paranormal investigators before she will agree to stay there.

The ‘Edge of Glory’ hitmaker – who has previously said she believes she is inspired by the spirit of her dead aunt – allegedly splashed out £30,000 on state of the art Electro Magnetic Field meters to detect spectres.

A source said: “She believes in paranormal activity and won’t take any risks when she is on the road. It’s important to her to be safe from spirits.”

- Source: The Independent

Hello one-eye symbolism.

Bratz dolls are basically younger, sluttier versions of Barbie dolls. They’ve always annoyed me because I personally feel that young children should just be kids and should enjoy their innocence while they can. And, to me, Bratz are another way to promote sexuality, superficiality and even celebrity to young girls. But maybe I’m just acting like a grumpy old man looking at new toys and saying in a disapproving tone: “We don’t have the toys we used to”.

Bratz however took things to a whole other level with its new Masquerade collection by incorporating in it all out Illuminati symbolism. Masquerade balls (also known as Illuminati balls) originate from obscure occult Secret Societies who organized these gatherings for ceremonial and ritualistic purposes. These balls often ended with orgies with the masks playing on the anonymity of the sexual partner (see the movie Eyes Wide Shut). Is there a reason why young girls should recreate the occult elite’s ceremonial parties?

Here we have a couple of vampires dancing on a ritualistic checkerboard Masonic floor. Plus, on the left, a sex-kitten checking everything out.

Here’s the promotional video for the collection and see how Illuminati symbolism is promoted to kids.

It’s a brand new year and this one promises to be particularly interesting. Here are the pics of this month featuring Willow Smith, Jessie J, The Oregon Ducks and a bunch of other strange yet very symbolic images.

It's January and it is time for a new calendar. This year, why don't you pic up this calendar by fashion photographer Tejal Patni featuring soulless robotic models blankly staring nowhere and manipulated by machines? You'll be reminded everyday about how the fashion industry is riddled with MKULTRA imagery. For example, who wouldn't love to look at this tribute to mind control, complete with a fake face and mechanical hands (representing handlers) during the entire month of October?

 

Miss September also appears to be under mind control. While she's sitting on a chair that appears to have to capability to "program" (or torture her), her handlers (represented by hands) are hard at work.

 

The model, looking extremely robotic, holds a mechanical heart - emphasizing on the dehumanizing effects of mind control (and of the fashion world).

 

A screenshot from the beginning of Willow Smith's video Fireball. The hidden eye is just to remind the world who owns her.

 

I heart the way Jessie J hearts us in Glamour magazine.

 

They be hiding one eye in Japan.

 

...and in Brazil (singer Wanessa)...

 

...and at Target...

 

...and in Victoria's Secret catalogue.

 

A promotional ad featuring the Oregon Ducks' uniform for the 2012 Rose Bowl - remodelled by Nike. Can you recognize the handsign?

 

The stage of VH1's Diva Celebration. It is basically a giant eye looking over the singers the crowd.

 

...the stage during Jessie J's performance.

 

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Everyone's favorite judge Simon Cowell on his jet-ski. It is pretty safe to say that he's a Freemason.

 

Polish singer and actress Kasia Nosowska.

 

This photo collection by Kristian Schuller features a lot of MK symbolism. Here, multiple personalities and, of course, the one-eye thing.

 

Another pic from that collection....Monarches everywhere.

 

The Darkest Hour is the Hour Before Dawn by Charley Greenfield & Brooke Holmes. Is this still fashion?

 

Fashion?

 

This 1928 magazine is apparently the ancestor of Vigilant Citizen.

 

Virgin's website for new entrepreneurs. Is it hinting at what it takes to truly make it in the elite?

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If you’re on this page right now, it is probably because you enjoy obtaining insights and information from sources that are not mainstream. Be aware that this could radically change if SOPA, an awful piece of legislation making internet censorship EXTREMELY easy, goes through. While it is said that the goal of SOPA is to fight internet piracy, the powers it bestows to governments and elite corporations go way beyond copyright issues. Entire websites could potentially get shut down without notice and without a legitimate court order, even if they do not explicitly host pirated content. Think I’m going too far? Well, it has already happened a few times already and SOPA would simply make it completely legal, legitimate and a lot easier.

Here’s an informative video on SOPA by Cynical Brit a channel that usually deals with gaming. Yes, the issue is that important and affects the entire world.

 

The dystopian nightmare described in George Orwell’s novel 1984 took place in London, UK. This very city is today one of the most heavily monitored places in the world, using a record number of cameras and the most advanced surveillance technology to keep track of its citizens. Reuters now reports that the CCTV system of London has now the ability to tag specific people, track them across the entire system and even run a “search” on them for previous footage.

The report basically praises the software and quickly dismisses the privacy concerns it raises, stating that most citizens approve of being monitored (I’d like to see a scientific survey proving this). Of course, this summer’s London Riots were mentioned as an excuse to implement this technology, as anticipated in my article entitled The London Riots and How They Will be Used to the Elite’s Advantage.